Datasets
Hilary Norcliffe. Huddersfield Music Society Performance Catalogue.
Greenstone3 Virtual Machine Export
Events
InterMusE Launch – June 2021
International Association of Music Libraries (IAML) Conference – July 2022
Alan Dix – Embracing Inconsistencies in Digitised Materials (video)
Alan Dix – OCR MarkUp prototype demo (video)
Alan Dix – TalkOver prototype demo (video)
Michael Twidale – Human-in-the-Loop Linked Open Data (video)
Relevant Publications
Dix, Alan, Charlotte Armstrong, Rachel Cowgill, Mike Twidale, Christina Bashford, D Stephen Downie, Rupert Ridgewell, and Maureen Reagan. ‘FAIR but Flexible: Designing for Dynamic User Contributions in Digital Musicology Resources’. In 9th International Conference on Digital Libraries for Musicology, 41–49. DLfM ’22. New York, NY, USA: Association for Computing Machinery, 2022. https://dl.acm.org/doi/10.1145/3543882.3543887.
Caton Lingold, Mary. ‘”Sound” Special Issue, Part II: Imagining Sonic Histories’. In Reviews in Digital Humanities, 2(9). 2021. https://reviewsindh.pubpub.org/v2-n9.
Armstrong, Charlotte, Rachel Cowgill, Alan Dix, Christina Bashford, D Stephen Downie, Mike Twidale, Maureen Reagan, and Rupert Ridgewell. ‘Towards a Foundation for Collaborative Digital Archiving with Local Concert-Giving Organisations’. In 8th International Conference on Digital Libraries for Musicology, 41–49. DLfM ’21. New York, NY, USA: Association for Computing Machinery, 2021. https://dl.acm.org/doi/fullHtml/10.1145/3469013.3469019.
Cowgill, Rachel, Alan Dix, Christina Bashford, J. Stephen Downie, Michael Twidale, Maureen Reagan, Rupert Ridgwell, and Simon McVeigh. ‘Democratising Digitisation: Making History with Community Music Societies in Digitally Enabled Collaborations’. In 7th International Conference on Digital Libraries for Musicology. York, 2020. https://dlfm.web.ox.ac.uk/dlfm-2020/cowgill-et-al/democratising-digitisation.
Dix, Alan, Rachel Cowgill, Christina Bashford, Simon McVeigh, and Rupert Ridgewell. ‘Crowdsourcing and Scholarly Culture: Understanding Expertise in an Age of Popularism’. In Macrotask Crowdsourcing: Engaging the Crowds to Address Complex Problems, edited by Khan Vassillis-Javed, Papangelis Konstantinos, Lykourentzou Ioanna, and Panos Markopoulos, 189–214. Springer, 2019. https://link.springer.com/chapter/10.1007/978-3-030-12334-5_7.
Caton Lingold, Mary. ‘”Sound” Special Issue, Part I: Experimental Scholarship Blending Sensory Modalities’. In Reviews in Digital Humanities, 2(8). 2019. https://reviewsindh.pubpub.org/v2-n8.
Dix, Alan, Rachel Cowgill, Christina Bashford, Simon Mcveigh, and Rupert Ridgewell. ‘Spreadsheets as User Interfaces’. In Proceedings of the Workshop on Advanced Visual Interfaces AVI, 192–95, 2016. https://doi.org/10.1145/2909132.2909271.
Nurmikko-Fuller, Terhi, Alan Dix, David M. Weigl, and Kevin R. Page. ‘In Collaboration with In Concert: Reflecting a Digital Library as Linked Data for Performance Ephemera’. In Proceedings of the 3rd International Workshop on Digital Libraries for Musicology, 17–24, 2016. https://doi.org/10.1145/2970044.2970049.
Dix, Alan, Rachel Cowgill, Christina Bashford, Simon McVeigh, and Rupert Ridgewell. ‘Authority and Judgement in the Digital Archive’. In DLfM ’14: Proceedings of the 1st International Workshop on Digital Libraries for Musicology, 1–8, 2014. https://doi.org/10.1145/2660168.2660171.
Cowgill, Rachel, Christina Bashford, and Simon McVeigh. ‘The Concert Life in Nineteenth-Century London Database Project’. In Nineteenth-Century British Music Studies, edited by J. Dibble and B. Zon, B, 1-12. Ashgate Publishing Ltd., 2002.
